![]() ![]() ![]() The Santiago Museum of Contemporary Art is also one of the most important museums that can be found in the capital as it is run by the University of Chile Faculty of Arts. The entrance of the museum is located along José Miguel de La Barra Street which passes through Parque Forestal. It is one of the oldest and finest art museums in South America, and it is absolutely stunning – as well as free – to see.ĭating back to 1910, the current building – “The Palace of Fine Arts” – honors the first centennial of the independence of Chile. The Chilean National Museum of Fine Arts is conveniently located in the Bellas Artes neighborhood of Santiago, and is one of the main centers that houses Chilean art and some other art from well-known South American artists. – Explore Santiago and other cities with Kuoda.If this sounds up your alley, keep reading to learn why you will fall in love with Chile’s Art Scene. They described it as the “outside galleries of urban art”. Street art is the most talked-about artform in Chile, and is the sole reason why National Geographic has designated the capital, Santiago, among the “Must-Sees” in 2018. With the combination of European and Latin American influence, Chile Art has a very authentic vibe that can only be experienced in real-life. During his advertising period, he has made among others the comic strip 'Chocapic' for Nestlé.Chile’s bright and colorful capital, Santiago, may not have the same legacy or history of many European cities, but when visiting this spectacular city in Latin America you will soon discover that Chile’s art scene is revealing itself with its emerging talent and incredible masterpieces that are definitely worth seeing if you are someone who appreciates good art.įrom decadent museums, extravagant galleries, and incredible street art – the capital boasts creativity and traditional culture, with so many top things to do in Santiago. In 1976, he joined the Walter Thompson advertising agency and after 12 years with this agency, he became freelance. Fuentes and Marín also created the series 'Apuntes de Emilio Basset'.Īfter three years with FMB, Fuentes, accompanied by Máximo Carvajal and Julio Berríos, moved over to Editorial Mundicrom, where he created albums like 'Flora y Fauna' and other educational material. He went to work for the Chilean production of Carlos Giménez' 'Garra de Acero' ('Steel Claw') stories, again in cooperation with Ventura Marín. ![]() When the military regime began in 1973, Fuentes joined Patricio García's FMB Producciones Ltda. Fuentes cooperated with a lot of other series, such as 'La Legión Blanca' in Jungla, 'Patrullera 205' and 'Los Juveniles de Santana' in Espía 13 -Delito. He also took over the 'Hombre de la Jungla' series with scriptwriter Ventura Marín. For Jungla, he alternated with among others Guillermo Varas, Roberto Tapia and Maximo Carvajal on the 'Mawa' series. Fuentes also participated in magazines like El Capitán Júpiter, 007 James Bond, El Intocable and Jungla. In 1965, he joined the Editorial Zig Zag, where he cooperated with Themo Lobos' science fiction magazines Rocket and later also Robot. Fuentes went to work in an advertising agency at the age of 20. In addition, he did a correspondence course through the Pan-American School of Art in Buenos Aires, with a focus on comics. He attended courses in drawing by Matilde Pérez and in painting by Augusto Eguiluz. For three years, he studied at the School of Fine Arts in Santiago. ![]()
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